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Kanji De Manga Volume 2: The Comic Book That Teaches You How To Read And Write Japanese!, by Glenn Kardy Chihiro Hattori

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Review

These cute, little books use manga-style graphics to help English speakers learn the Japanese writing systems. Kana de Manga: A Fun, Easy Way To Learn the ABCs of Japanese! teaches the hiragana and katakana syllabaries, the closest that Japanese has to an alphabet. For each kana are provided the sound, a word using the sound with accompanying illustration and cultural note, the stroke order for drawing the kana, and empty grids for practice. Front and back matter provide kana contractions plus more information about the kana systems. Almost 40 pages are devoted to practice grids, unnecessary for library readers. The volume is inexpensive, cute, and useful, although other kana tutorials that use mnemonics that is, likening the kana to an image can be effective, too. The four Kanji de Manga volumes teach 320 of the more complex Chinese-based kanji characters, of which some 2100 are used in standard Japanese. These books teach kanji only through the kana. This may be a good discipline, but most English-speaking readers would have greatly appreciated Romanizations, too, even if relegated to a back section in place of practice pages. There's no Romanized index or glossary, either. Not a priority purchase. Japanese Sound FX! is likely to be the most useful of these books, with Romanizations, cultural explanations, and illustrations for many of those untranslated sound effects sprinkled tantalizingly throughout manga. This last is recommended for libraries where manga is popular. --Library Journal

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About the Author

GLENN KARDY is founder of Japanime, an award-winning creative agency and publisher of Manga University's acclaimed lineup of educational materials. He lives in the Tokyo suburb of Kawaguchi City with his wife, their daughter and a collection of Oakland A's bobblehead dolls. CHIHIRO HATTORI has been the featured artist in all nine volumes of the Kana de Manga/ Kanji de Manga series, and she also illustrated Manga University's Manga Cookbook. Chihiro, her husband and their son live in Yokohama, where they enjoy fine food, fast cars and high fashion.

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Product details

Series: Kanji de Manga (Book 2)

Paperback: 112 pages

Publisher: Japanime Co. Ltd.; 5.1.2005 edition (June 21, 2005)

Language: English

ISBN-10: 4921205035

ISBN-13: 978-4921205034

Product Dimensions:

5 x 0.4 x 7.1 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#917,976 in Books (See Top 100 in Books)

THE KINDLE FORMAT VERSION IS BROKEN. NO IMAGES AFTER THE FIRST PAGE. I contacted support and they have said they will contact the publisher; in the meantime, I'm just redownloading it every few days to see if they've fixed it. WHEN/IF THEY FIX IT, I WILL UPDATE THIS POST!!!EDIT: They still haven't fixed it, but the tech support are angels and will give you a free copy if the kindle version won't work.

This series of books says that it can teach you to read a graphic manga novel in Japanese. Doing that makes it a very worthwhile series. This book focuses upon kanji, which is based upon Chinese characters. As a matter of fact, many of them are Chinese radicals. The series begins with KANA DE MANGA which uses hiragana letters. You need to work with it first. I'd also recommend LET'S LEARN HIRAGANA by Yasuko Kosaka Mitamura. In my study, I use both: KANA DE MANGA to learn how to draw the letters, and HIRAGANA for words and vocabulary. I still don't know the relationship between hiragana and kanji--or why the Japanese have so many writing systems--and with Chinese characters, I still haven't found a helpful method to learn them (though I am trying). This is a good, enjoyable series of books. My suggestion is to get each of them and work with them together.

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This is not an easy book to follow. Actually its easy to follow - its hard to execute. You have to really want to learn Kanji and the chinese symbols.I have the whole series - it is accurate - I drew all the different symbols, but I am certainly not fluently able to read an write Japanese by any stretch - you have to want it!

my wife has been working with the series. I come home and she has worked on the books some more. I may pick them up as well. They are great.

I think this is a great series for learning kanji, I was looking for this app I had in Japan that has disappeared or it is only made for android phones called JED (Japan Education) which was phenomenal but this is good.

i love these books. i like the kindle version. it is possible to zoom in.

While I do like these books, and I have found them to be useful in my and my families learning of kanji, they are organized in a completely non-sensical way. At the back of each book, they proclaim that they are useful in studying for the JLPT (Japanese Language Proficieny Test) exams. They are useful.. just not comprehensive.For example, Volume 1, which has 80 kanji in it to learn, (despite what the paragraph at the back of the book says) is NOT the full list of kanji you would need to learn to pass the first level exam (JLPT4). The JLPT4 test requires 103 kanji at the current time, as well as like 700 vocab words, and basic grammar and listening skills. If you were to just study this book, and nothing else, you would surely fail.At first I thought maybe the authors had just made an error and meant to say that the books were organized loosely based on the elementary school grade level. However, this is also not true. An example of this is 花　(はな　"hana") which is a grade level 1 kanji taught to first graders, but is in fact in Volume 2.The only other glaring problem I've found with these books is the lack of any sort of English definition lookup or table of contents. While you can look the kanji up if you know the spelling in kana, being able to look it up in English would've been really nice. However, the books are cheap and fun and pretty easy to use.

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Kanji De Manga Volume 2: The Comic Book That Teaches You How To Read And Write Japanese!, by Glenn Kardy Chihiro Hattori PDF

Kanji De Manga Volume 2: The Comic Book That Teaches You How To Read And Write Japanese!, by Glenn Kardy Chihiro Hattori PDF

Kanji De Manga Volume 2: The Comic Book That Teaches You How To Read And Write Japanese!, by Glenn Kardy Chihiro Hattori PDF

Kanji De Manga Volume 2: The Comic Book That Teaches You How To Read And Write Japanese!, by Glenn Kardy Chihiro Hattori PDF

PDF Ebook , by Ursula K. Le Guin

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Product details

File Size: 5781 KB

Print Length: 32 pages

Publisher: HMH Books for Young Readers (October 14, 2014)

Publication Date: October 14, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00O70WOD0

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Ursula K. Le Guin has said several times that she’s done with Earthsea, but she keeps returning to the archipelago. In Daughter of Odren, Weed, the titular daughter of Odren, wants to rescue her father from the spell of a corrupt wizard and her mother. In the hands of any other author, the plot itself would have been a simple revenge tale. Le Guin takes this simple concept in a darker and far more interesting direction.The Daughter of Odren is more about the telling than about the tale. Le Guin buries the story under multiple layers, as characters tell other characters what they know about Odren’s fate. At times, the accounts conflict subtly. It’s an interesting narrative technique as it gives the sense that the events we see had already become local legend. It’s also an effective way to convey the large amount of background material necessary to understand the plot.The Daughter of Odren is set in the world of Earthsea, but does not feature any of the major characters from Le Guin's other Earthsea novels. However, the story does assume some familiarity with the Earthsea system of magic, so it does not stand entirely on its own. I suggest reading at least A Wizard of Earthsea before attempting this novel.Daughter of Odren a worthy trip back to Earthsea. It doesn’t have a major impact on the Earthsea mythos, and it’s a short story (about 31 pages), but nevertheless enjoyable.

One of the biggest problems with stories about revenge is that there is always, or at least usually, a clarity of purpose. An act of evil was done, and it generates a sore that festers until an act of vengeance cleanses the wound. But what happens when two people view the same act of evil with completely different interpretations? Not just the perpetrator and victim, but two victim. Le Guin offers a fascinating glimpse into how males and females view events from different perspectives and how victims see crimes through the lens that society has given them. Le Guin uses her usual prose to narrate a clean, sparse story that touches places deep within the reader that resonant long after the book is finished. The story is no exception. It is as subtle and heart-felt as anything she has written and is as timeless as the struggle for anyone to understand the motivations of someone else.

As a huge fan of Ursula Le Guin, I was delighted to discover this new story set in Earthsea among Kindle singles. It has all of Le Guin's signature powerful, lyrical writing. Weed, the daughter of feudal lord Odren, leaves home after her mother conspires with the evil wizard Ash (whom we also encounter in Le Guin's other Earthsea stories) to imprison her father in a standing stone. For years, she plots revenge, until the return of her brother from Roke's academy of magic finally allows her to put her plan into place. The results, however, are not as she expected. The story reads quickly and flows well, but is not as compelling as the author's other Earthsea tales, and the ending is a bit predictable. Still, it's always apleasure to return to Earthsea for a visit.

Though the story starts out slowly and often confusingly, The Daughter of Odren gains the power of nightmare in this take of grown children haunted by a parent's betrayal, the power struggle created by the children's warring vision of the past, and the tragedy they create in their quest for revenge. In the end, this tale of children's warped vision of adult events and two siblings' warped and tangled desires for revenge becomes as vicious and vivid as any Inuit legend, and the confusions of the initial narrative structure are more than forgiven.

The Daughter of Odren is a short fable set in LeGuin's Earthsea world. As with most of LeGuin's it is a character study the human experience, the good, the evil, the mistakes, the misperceptions. Weed and her brother Clay struggle to recover their lives and go on after their father is betrayed by their mother and destroyed by an evil sorcerer. The story explores the limits of what is possible and what recovery really means through the characters completely different interpretations of their experiences.

I love Le Guin's writing, and her Earthsea series, so I figured this was worth checking out.It was. It's a nice, well-written tale of revenge, family, and magic in the Earthsea setting. If there's a direct connection to the rest of the Earthsea books, I missed it (in my defense, it's been years since I read them), but certainly, having read the Earthsea books is no prerequisite to enjoying this. Le Guin's writing is always gorgeous, and this story is no exception.

This short story illustrated the fine line between using wizardry for good and evil and that not all evil or good can be defined by one enemy— just as in life, good and evil is more complicated than one may speculate.

If you like Ursula LeGuin, you'll recognize her sure, deft storytelling. Deceptively simple, but many layered; a visit to another island of Earthsea, where faithfulness and faithlessness both exist, where the same events are seen through different perspectives. I gave it only 4 stars because it feels as though it's only a piece of a larger story, or an abridged version...and I would like Ms. LeGuin to set it in context, and share the whole story.

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File Size: 2065 KB

Print Length: 166 pages

Publication Date: March 25, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07BQCV2H7

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Amazon Best Sellers Rank:

#535,581 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Bill O'Neill is the king of trivia books. He created many joyous and educational trivia books that readers found eye-opening and enjoyable. They are easy to read, educational, and fun.In this book, among much else, we learn the surprising facts about the origin of Tennis. We really do not know when the game started or the meaning of the word Tennis. There are some ancient pictures that could suggest that the game began in ancient times in Egypt, Greece, or Rome, and the name may refer to the town Tinnis near Egypt’s Nile River. Others argue that it was started by French monks and was originally enjoyed indoors. They used their hands to hit the ball, and the name Tennis may have derived from the French “tenez,” meaning “take this,” what one player may have said to the other. When it moved outside in France, unlike today, it was played on grass, and it was a game played by the well-to-do.The book is made up of seven chapters. The first two introduce readers to the game. The next two deal with men’s tennis followed by two on women’s tennis. The last chapter examines the careers of amateurs who turned professional.

Found this book to be both interesting and informative, well written.

Author Bill O’Neill loves to explore all manner of subjects from reiku to trivia. His previous include Trivia on RANDOM FACTS, AMERICAN TRIVIA, WW I, World War II, and VIET NAM WAR TRIVIA, MOVIES, FUN KNOWLEDGE, TRIVIA MADNESS and SPORTS – FOOTBALL, BASEBALL, ICE HOCKEY, BASKETBALL, SOCCER and now he offers trivia about TENNIS. Bill O’Neill has authored many books on trivia and random facts and stands as somewhat of an expert in this field!Bill’s writing is so infectiously interesting and entertaining and so full of facts most people have not encountered that even if you are not a sports fan, this book about Tennis is entertaining and buffs up your knowledge.Bill’s sense of humor is evident in his Introduction – ‘Like many modern games, there are origins long ago. In the case of tennis, French monks, it seems, were the founders of the game that is enjoyed today. ‘’Real tennis’’ was played indoors, but once the norm was outside, and it did depend a little on the weather. The original name included the word ‘’lawn’’, which confirmed that point, and at the start of the major championships often described as ‘’Grand Slams’’, all four were played on grass. It is clear that the game in the early decades was largely played by wealthy people. There was no chance of funding good grass courts for ordinary people, and even into the middle of the 20th Century, some future champions needed help to develop even early glimpses of talent. The game was purely amateur, and that was another obstacle to ordinary people involving themselves in the game. As tennis became organized with proper rules and agreed court dimensions, competition began with the defending champion having the luxury of waiting for the winner of the knockout stages to give someone the right to challenge him or her. Today’s champions would have loved the luxury of a single appearance which contrasts with two-week competitions with 128 entries in the main singles draw. This book is divided into seven Chapters, starting with an introduction to the game. The next two chapters are devoted to men’s tennis, the first going from the beginning and through to the Open Era with those whose careers came either side largely dealt with in Chapter 2. The same applies to the women, covered in Chapters 4 and 5. The doubles has a chapter to itself, with in the early days many of the players still playing in all three events. That is less of a case today with the really top men’s players concentrating purely on singles. The final chapter looks at developments across the world game and takes a look at the careers of some good amateurs who turned professional before the Open Era and did not really feature much again at the Grand Slams, mostly through retirement and age.’After a very solid history of the game (the Ancient Empires of the Egyptians, Greeks, and Romans) Bill sheds light on the history of the International Lawn Tennis Federation (ILTF), ATP, WTA and the Winmbledon, Australian, French, US opensto the present day world championships, and offers little bios and particular game facts that are fascinating. After each section of trivia Bill offers random facts and figures and tests his readers on concentration and memory.Where Bill finds all of these obscure facts is a conundrum, but in our searches for incidental trivia and random facts, we simply turn to this terrific book! Grady Harp, March 18

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Paperback: 158 pages

Publisher: CreateSpace Independent Publishing Platform (August 14, 2017)

Language: English

ISBN-10: 1974568040

ISBN-13: 978-1974568048

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 8.6 ounces (View shipping rates and policies)

Average Customer Review:

2.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,815,038 in Books (See Top 100 in Books)

Short review because this book is so short on information, redundancy and repetition used to take it from what should have been a mere pamphlet.

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File Size: 9514 KB

Print Length: 195 pages

Page Numbers Source ISBN: 1980914842

Publication Date: April 22, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07CLJ2JRC

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Amazon.com Review

An Amazon Best Book of December 2017: Ursula K. Le Guin is comfortable with her age. Or at least she’s comfortable with the fact that it’s not a completely comfortable arrangement. In the opener to this collection of personal essays, Le Guin notes that, now that she’s in her eighties, all her time is occupied by the activities of life—she has no spare time and no time to spare. Le Guin is a thoughtful and careful writer, and so her opinions are thoughtfully and carefully organized. She knows what she thinks, and she writes so well that you’ll want to return to these candid essays—the product of a blog she started when she was 81 years old—like returning to an older, wiser friend. —Chris Schluep, The Amazon Book Review

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Review

Praise for NO TIME TO SPAREWinner of the Hugo Award for Best Related Book Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay A TimeOut Book to Cozy Up to This December A Real Simple Best Book to Read in December A Bustle Best Book to Read in December One of Southern Living's Unputdownable Reads to Curl Up with in December A Harper's Bazaar Best New Book to Read in December A Most Anticipated Title of the Fall from Vulture A PopSugar Must-Read Book for December A Book Riot Must-Read Book for December A Wired Must-Read Summer Title “The trivially personal is a chief pleasure of this collection...The pages sparkle with lines that make a reader glance up, searching for an available ear with which to share them...‘Words are my skein of yarn, my lump of wet clay, my block of uncarved wood,’ [Le Guin] explains, and then quietly astounds us with the carving.”—Melissa Febos, The New York Times Book Review “This delightful book [is] inquisitive and stroppily opinionated in equal measure…In even these miscellanies, composed in [Le Guin’s] off hours, the sentences are perfectly balanced and the language chosen with care. After all, she writes, ‘Words are my matter—my stuff.’ And it’s through their infinite arrangements…that Ms. Le Guin’s extraordinary imaginary worlds have been built and shared.”—Wall Street Journal "Witty, often deeply observed...Le Guin has a well-ordered mind...If she’s arrived at a 'crabby old age,' as she puts it, it’s inspired her to be engagingly mindful of everything around her." —USA Today “There are shades of Adrienne Rich here…At the end of ‘No Time to Spare,’ having enjoyed all the Annals of Pard and the Steinbeck anecdotes, the stories about the Oregon desert and the musings on belief, all I could think was: I want Le Guin to keep going, on and on. I want to read more.”—Michelle Dean, The Los Angeles Times   “‘No Time to Spare,’ deriving from Le Guin’s online essays, covers just about anything that crosses her mind, from 'lit biz' to cats to the Oregon landscape…Might there be truth to the commonplace that science fiction writers are prophets?...A year ago I argued that Le Guin deserved a Nobel Prize in literature. In fact — what a fantasy! — she ought to be running the country.”—The Washington Post "The pages pop with life, even as Le Guin, ever sassy, reckons with the toils of aging. She finds herself busier than ever, cramming in as much as she can. The best bits are the interludes for Pard, her new black-and-white cat. Young when she’s old, spry when she’s stiff, he exists in twinkling counterpoise—especially when he’s time-traveling through her whirring external hard drive to, Le Guin suspects, cosmic parts unknown." —Wired “In 'No Time to Spare: Thinking About What Matters,' Le Guin shows that elders have plenty to teach…[She] finds inspiration in the everyday and makes it sparkle with her prose…In step with her legacy, [she] challenges us to reconsider what we automatically accept…“No Time to Spare” will leave readers hoping that Le Guin is given a bit more time to share her observations — on aging, art, our world — and to remind us of things we mustn’t forget.”—Newsday “[No Time to Spare is] erudite, witty and…wise…even in pieces about her cat, or about answering fan mail, [Le Guin] makes the reader continually conscious of the ways that her age is a part of her life. That subtle coherence gives the book a special feeling, to borrow her words…a ‘steady, luminous ethical focus’…Deep down there: that is where Le Guin has taken readers for decade after decade, and where, these essays show, she is capable of taking them still.”—The Chicago Tribune “Le Guin’s new book, No Time To Spare…feels like the surprising and satisfying culmination to a career in other literary forms…Even in the familiar relationship of an old woman and her cat, Le Guin finds an ambit for challenging moral insight and matter for an inquisitiveness that probes the deep time of evolution...Blogs may not be novels, but a blog by Le Guin is no ordinary blog, either. It is a comfort to know, as reality seems to grow more claustrophobic and inescapable, that she remains at her desk, busily subverting our world.”—The New Republic “The more you re-read this collection of blog posts by science fiction Grandmaster Le Guin, the more you're convinced of Oliver Wendell Holmes's quip that for the true thinker, nothing is trivial… [No Time to Spare] is delivered in the core-drilling, clear, thoughtful language of somebody who's been crafting English for more than half a century – but the entries on the craft of writing itself are, perhaps predictably, the best things in the book.”—Christian Science Monitor “[Le Guin’s] clever observations and sharp, nimble prose provide a window into the interior life of the award-winning novelist.” —Harper’s Bazaar​ "[No Time to Spare] touches on...everything from feminism to swear words in fiction. Each entry is filled with warmth, insight, and humor."—Real Simple “[An] altogether fantastic collection No Time to Spare: Thinking About What Matters…[is] a magnificent read in its tessellated totality.”—Brain Pickings “Le Guin's mindful empathy for every kind of living and non-living thing makes her a role model for the rest of us who ever tried to walk a mile in another kind of shoe…With her profound skepticism of the merits of capitalism, her à la carte Eastern spirituality, and her willingness to be disliked, she could certainly be a strong contender for Mayor of Portland.”—PopMatters “Le Guin is a natural story­teller, and these snippets from her life are inarguably delightful. She is certainly a lioness in winter here, as focused as she has ever been on the things that matter most to her. Old age is not for the young, she posits—and it is a slogan not intended as complaint, but rallying cry. Spend a little time with octoge­narian Ursula K. Le Guin, and the prospect of growing old becomes a bit less daunting.”—BookPage"Le Guin is 88 and shows no sign of slowing down in this essay collection, dispensing serious wisdom about our world, politics, literature, aging, and more."—Book Riot “Reading the latest book from Portland writer Ursula K. Le Guin…is a bit like having a one-way conversation with a funny, cranky, keen-eyed old friend…Even when you want to quibble with her, Le Guin keeps you thoroughly engaged…It can be fun. It can be startling. It can get your back up… As you might expect from an author whose career has been devoted to imagining alternative worlds in close detail, she has a knack for stepping back from life on Earth and seeing it for the strange thing it is.”—The Oregonian "[There's] a welcome lightheartedness to this serious and morally weighty collection. It is a book that truly does matter."—The Houston Chronicle "Rife with insight [and] humor."—The Columbus Dispatch  “A delightfully random bouquet of musings on aging, writing, the moral character of the United States, Homer, her cat Pard, and everything in between…Following LeGuin’s penetrating mind as she thinks about the problems of our world and puzzles of language makes No Time to Spare a more than worthwhile read for fans and new readers alike.”—The Riveter “Le Guin is a thoughtful and careful writer, and so her opinions are thoughtfully and carefully organized. She knows what she thinks, and she writes so well that you’ll want to return to these candid essays…like returning to an older, wiser friend.”—Omnivoracious “No Time to Spare presents the best of Le Guin's blog: sharp-eyed, big-hearted, idiosyncratic and highly enjoyable…Both Le Guin's eye for detail and her dry wit are on full display here…Readers will find much to think about in this wise and eloquent collection.”—Shelf Awareness “To Le Guin…what truly matters are the words she thinks about, rigorous in her examination. Her expression of these thoughts reads more like mini-essays than blog posts and invite close reading, which always reaps rich rewards, the true gift of this lovely book.”—Booklist"Spirited, wry reflections on aging, literature, and America's moral life...An entertaining collection...Thoughtful musings from a deft and sharply insightful writer." —Kirkus “Short, punchy, and canny meditations on aging, literature, and cats…[Le Guin] offers her many fans a chance to share her clear-eyed experience of the everyday.” —Publishers WeeklyPraise for Ursula K. Le Guin “There is no better spirit in all of American letters than that of Ursula Le Guin.” —Choire Sicha, Slate "As a deviser of worlds, as a literary stylist, as a social critic and as a storyteller, Le Guin has no peer. From the time of her first published work in the mid-1960s, she began to push against the confines of science fiction, bringing to bear an anthropologist's acute eye for large social textures and mythic structures, a fierce egalitarianism and a remarkable gift of language, without ever renouncing the sense of wonder and the spirit of play inherent in her genre of origin." —Michael Chabon "One of the most original imaginations ever to grace American letters...Through decades and scores of books, the genre Le Guin made her own has itself grown up — writers from David Mitchell to Salman Rushdie have walked through the door Le Guin opened...To sit and talk with Le Guin is to engage a powerful mind that has responded to ideological entrapments or career bumps by carpentering a new space for itself. She is brisk and funny, but unsparing when asked to comment on something which, in her mind, does not measure up...She shows that stories that stand the test of time can come from something as simple as fellowship: like a family, like an extraordinary body of work, like a house built from a kit, standing proudly on a hill, more than a hundred years later." —John Freeman, Boston Globe   “Le Guin, of course, has long been one of our most powerful writers of conscience.” —David L. Ulin, Los Angeles Times "It’s hard to think of another living author who has written so well for so long in so many styles as Ursula K. Le Guin." —Scott Timber, Salon “She never loses touch with her reverence for the immense what is.” —Margaret Atwood   “Ursula K. Le Guin’s prose breathes light and intelligence. She can lift fiction to the level of poetry and compress it to the density of allegory.” —Jonathan Lethem   “There is no writer with an imagination as forceful and delicate as Le Guin’s.” —Grace Paley “Le Guin is a writer of enormous intelligence and wit, a master storyteller with the humor and force of a Twain. She creates stories for everyone from New Yorker literati to the hardest audience, children. She remakes every genre she uses.” —Sarah Smith, Boston Globe "[Le Guin] is frequently referred to as 'the best of' for all manner of things—like best fantasy writer, best science fiction writer, best female writer—all of which is silly, as she both defies and accepts all categorization. Her influence on generations of readers and writers, from George R.R. Martin to Jennifer Egan to David Mitchell, is as evident as it is impossible to overstate. Admired for her quiet daring, her structures, and her inventions, most of all she is revered for her sentences." —Choire Sicha, Interview Magazine  

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Product details

Hardcover: 240 pages

Publisher: Houghton Mifflin Harcourt; First Edition edition (December 5, 2017)

Language: English

ISBN-10: 9781328661593

ISBN-13: 978-1328661593

ASIN: 1328661598

Product Dimensions:

5.5 x 0.9 x 8.2 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

119 customer reviews

Amazon Best Sellers Rank:

#38,476 in Books (See Top 100 in Books)

This is my first book for 2018, just finished last night. I was, and still am, reading another book at the same time, but for the first book of the year, this one seemed the most appropriate. It's not just because I am a big Le Guin and have been since high school, it's also because her work has always been a touchstone in my life, from The Dispossessed and Left Hand of Darkness and Language of the Night and ... (insert a string of titles here ) all read and reread I don't know how many times. I wrote my dissertation on her rhetorical use of myth.I recognized, and still recognize, myself in her stories and essays and I did, again here, in this beautiful collection of short essays and musings, in which she is examining "the last great frontier of life, old age, and exploring new literary territory: the blog, a forum where her voice--sharp, witty, as compassionate as it is critical--shines" (front cover). The subject matter ranges questions from readers, her cat, Pard, turning 80+, faith and belief, among others. She writes, as always, with grace and style. Her prose is beautiful. As Michael Chabon says, "As a deviser of worlds, as a literary stylist, as a social critic and as a storyteller, Le Guin has no peer" (back cover).My love affair continues.Highly recommended.

Do you realize how many books, and in how many genres, poet-fiction writer-essayist Ursula JK. Le Guin has published to date? Using the listing in the front of her latest collection, there are 23 works of fiction (novels and short stories, some of them extraordinarily influential), eleven books of poems (and a twelfth is mentioned in a piece in this book), and two volumes of translations (of Lao Tzu and Gabriela Mistral). She’s a force! And as in a collection of occasional pieces I just reviewed by polymath Umberto Eco (Chronicles of a Liquid Society), even her most occasional postings have substance. Reaching her early and then mid-eighties, she decides to venture into blogging. She posts sage to pithy comments on a wide range of topics, from the ups and downs of aging (read her assessment of the Harvard alumni survey), to the joys of raising a kitten to adult cathood. She writes: “I’ve lost faith in the saying ‘You’re only as old as you think you are,’ ever since I got old. ”She takes on the current fascination with the two most common cuss words, one dealing with procreation (but not really procreation, really with dominance and battering), the other with excretion. On being a writer, she notes that meaning in art isn’t the same as in science: “The meaning of the second law of thermodynamics … isn’t changed by who reads it, or when, or where. The meaning of Huckleberry Finn is…. Art is what an artist does, not what an artist explains…. All I expect of a good potter is to go and make another good pot.” There are sage comments on the craft of writing, on how being a woman writer discriminates against one in a still male dominated publishing and critics’ world. She asks why we never question the desirability of economic growth. And in a follow-up essay asks, “when did it become impossible for our government to ask its citizens to refrain from short-term gratification in order to serve a greater good?” (This is as close as she comes to an environmentalist critique in these short essays.) There is a lovely doggerel verse for her cat. (“His paws are white, his ears are black. / When he isn’t around I feel the lack……”) Praise of a John Luther Adams piece. A visit to the Food Bank in Portland, Oregon. Meditations on a lynx, caged up in a wild life museum…. If you like good writing, and following the workings and musings of a sharp, oftimes witty, always observant mind at work, you’ll enjoy and admire these essays. I know I did.

These are collected blog posts, mostly, on a variety of subjects. I'm an older woman, and reading it was like sitting and talking with a dear friend. I suspect it will not seem so sharp, and funny, and wise to others. If you ARE an old lady, get this book. You will not be sorry.

We all lost an important voice for sanity and compassion when Ursula Le Guin died yesterday. All of her writing — essays, poetry, fiction, blog entries — showed the same compelling passion and sharp insight. This wonderful book is comprised of entries on her blog over a period of time. Whether she writes about her cat, her writing itself, or the state of the world, she does so with an acute understanding that will only enlighten readers.

Ursula Le Guin is a remarkably prolific and varied writer, and a deep thinker. She's written dozens of novels that are masterful (mistressful?) -- exciting and thought provoking, several volumes of poetry and even a couple of translations. Now we are presented with this wonderful gift -- a collection of essays about aging, art, cats and the meaning of life.As the author pioneers her eighties, she introduces the book with admiration for Jose Saramago and her exploration of a new frontier -- blogs.Some people are calcified and old at thirty; some, like Le Guin, are spring chickens at eighty. These essays address an interesting array of topics. I find LeGuin to be honest and fair. Sometimes cynicism marks an observation, but who can traverse this world without sometimes being disappointed? Equally often she registers great optimism and hope.America is not a country that values its elders. That is a pity because it means a lot of wisdom is ignored. I hope the words of someone of Le Guin's reputation and popularity will not fall on deaf ears. These are things we should hear, things we should consider, and this author is someone worth listening to.These are short essays, easy to read in a few minutes and provocative enough to keep you thinking. Great reading material for bedtime or when you just have a few minutes to read (but a lifetime to consider).

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About the Author

While attending college at Nihon University, in 1988, Kentaro Miura debuted a 48-page manga known as Berserk Prototype, an introduction to the current Berserk fantasy world. It went on to win Miura a prize from the Comi Manga School. In 1989, after receiving a doctorate degree, Kentarou started a project titled King of Wolves based on a script by Buronson, writer of Hokuto no Ken (Fist Of The North Star).In 1990, the first volume Berserk was released with a relatively limited success. Miura again collaborated with Buronson on manga entitled Japan. Miura's fame grew after Berserk began "The Golden Age" story arc and the huge success of this masterpiece made of him one of the most prominent contemporary manga artists.In 1997, Miura supervised the production of 25 anime episodes of Berserk that aired in the same year on NTV. The series has also spawned a whole host of merchandise, both official and fan made, ranging from statues and action figures, to key rings, video games, and a trading card game. In 2002, Kentaro Miura received the second place in the Tezuka Osamu (Astro Boy) Cultural Prize of Excellence for Berserk. The author lives in Tokyo, Japan.

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Product details

Paperback: 240 pages

Publisher: Dark Horse Manga (January 31, 2006)

Language: English

ISBN-10: 1593073313

ISBN-13: 978-1593073312

Product Dimensions:

5.1 x 0.7 x 7.2 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#19,267 in Books (See Top 100 in Books)

This is the 23rd volume in the Berserk series. In this volume Guts is struggling to take care of Casca when Lady Farnese, Serpico and Isidro join him; for once Guts appreciates the help.We also meet Lord Mule who ends up being saved by Griffith’s new band of the Hawk and joins Griffith on his mission to take over the Kushan kingdom.After that it is back to Guts and his companions, where Lady Farnese is feeling very useless as she struggles to do basic chores.Overall I really enjoyed this volume in the Berserk series. It’s a bit of a transition volume but I enjoyed the new characters that we meet and I love where the story is heading. This whole series is recommended to those who enjoy fantasy horror manga.

The posters included have amazing art, and even serve to draw a thematic contrast between the two major narrative threads of the series. The protagonist of this story could hardly be called a hero for most of the series, never quite the villain either. However in this novel we get to see a budding sense of heroism in him, but also his greatest failure. We see him at his weakest and his greatest. The antagonist's story is so captivating and wonderful you almost forget to hate him.

In the feudal era, one man could not idly await the verdict of fate. Carrying only armor, a sword, and amazing skill, Gatsu (Guts) waves a defying hand to the forces that would threaten his freedom and his life. Issue #10: Guts has come back to Casca and the rest of the greatly depleted Band of the Hawk. They launch a rescue effort to save Griffith. On their descent to the cavernous dungeon, a historical tale of the dungeon, and Midland's, origin, seems to reveal the origin of the Godhand and Skull Knight. Upon successfully surviving the assault of the castle guard, however, the small rescue party await a far deadlier surprise. What horrors await those who defy the Bakiraka? Have the rescue party stepped into their own doom?

Long long time agoIn a land devoid of hope and lightRoamed a black swordsmanA revenge seeking knightThe twenty third folio :Hard and lonely is the roadOur hero is travelling to a sanctuaryScary and lonely till that abodePraying not to fail his sanityA burden of a companion he is withWhile legions of demons upon themTrying to feastThe war demons are starting to gatherIn a dark forest a little fartherWith a burden of a companion he dragsA legion of demons upon themTrying to feastAlasCould that be ?within our herolays a shadow of a beast ?Postscript.A thousand thanks to Led Production for their short live action film BERSERK - The Black Swordsman .

As a Berserk fan, you need this volume.

The romance between Guts and Casca finally comes to fruition in this volume and I loved every panel of it.Also the Tower of Rebirth backstory was cool.

READ THE MANGA

I Love this Manga. It is a Masterpiece and I love the art.

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