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Journey to the End of the Night, by Louis-Ferdinand Céline Ralph Manheim

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Review

“Céline is my Proust!” - Philip Roth“This is the novel, perhaps more than any other, that inspired me to write fiction. Céline showed me that it was possible to convey things that had heretofore seemed inaccessible.” - Will Self, New York Times Book Review

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About the Author

Louis-Ferdinand Céline (1894-1961) was a French writer and doctor whose novels are antiheroic visions of human suffering. Accused of collaboration with the Nazis, Céline fled France in 1944 first to Germany and then to Denmark. Condemned by default (1950) in France to one year of imprisonment and declared a national disgrace, Céline returned to France after his pardon in 1951, where he continued to write until his death. His classic books include Journey to the End of the Night, Death on the Installment Plan, London Bridge, North, Rigadoon, Conversations with Professor Y, Castle to Castle, and Normance.Ralph Manheim (1907-1992) was an American translator of German and French literature, as well as occasional works from Dutch, Polish and Hungarian. The PEN/Ralph Manheim Medal for Translation, a major lifetime achievement award in the field of translation. is named in honor of Manheim and his work.William T. Vollmann is the author of The Atlas (winner of the 1997 PEN Center West Award), Seven Dreams: A Book of North American Landscapes, and Europe Central. His nonfiction includes Rising Up and Rising Down which was nominated for the National Book Critics Circle Award in 2003.

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Product details

Paperback: 464 pages

Publisher: New Directions; Edition Not Stated edition (May 17, 2006)

Language: English

ISBN-10: 9780811216548

ISBN-13: 978-0811216548

ASIN: 0811216543

Product Dimensions:

5.2 x 1.3 x 8 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

158 customer reviews

Amazon Best Sellers Rank:

#52,865 in Books (See Top 100 in Books)

This is a review of the Kindle edition of the English language version ...Voyage au bout de la nuit was originally published in 1932, As a first novel, it was quite successful, and has remained something of a lurking classic. It is loosely auto-biographical. The story runs through Céline's traumatic experiences of WW1, through mostly miserable experiences in tropical Africa and the USA and back to France, where the author-narrator becomes a financially unsuccessful medical doctor in Paris. His style is sometimes choppy, jumping from scene to scene, highly vernacular and often makes use of gross exaggeration. There is a lot of slang - somewhat different from that of today - and I bought this English version to help me through reading the French original. I am a reasonable speaker of French, but there is so much "argot" and unusual colourful expression in this book that there are many passages which I found difficult. Thus I have been able to compare this translation with the original as I go along. It is the only translation I know, and may not be the best, but it certainly captures the flavour of the original. Mostly, the English runs close to the French, but there are many places where the translation is very free: inevitable with a work like this. In these instances, the translator has correctly gone for a view of the woods, rather than the trees. I would definitely recommend this version to anyone who either cannot or does not wish to read the original or whose French, like mine, is not quite good enough to handle it without a crib.

"First of all read Céline; the greatest writer of 2,000 years" (Charles Bukowski 1969). The book describes the life of Bardamu (evidently Celine's alter ego), a cynical, estranged, indifferent yet sensitive and easily bruised young man. Bardamu is introduced on the eve of WWI when he volunteers and is cast into the charnel house of the inhuman nightmare of that war. He is wounded, spends more than a year recuperating from his wound and shell shock, deserts, and continues his life journey through French colonial Africa, America, and France again. Like Celine himself, Bardamu becomes a physician, his career following hanging his shingle in the miserable and poor Paris quarter and eventually becoming a nolens-volens director of a psychiatric sanitarium for the bigoted rich outside Paris.Reading 'The Journey to the End of the Night' is a literary and emotional experience. Stylistically it has the immediate shocking effect of profane, chaotic, and almost manic prose with insightful psychological observations. For example, his description of the increasingly violent fight between Robinson and his lover, Madelon, is a masterpiece in its genre. He is still considered as one of the most influential literary stylist of the 20th century. There is host of great novelists that owe him their style, including Mailer, Miller, Vonnegut, Keruac, and many others.From the social-human angle, Celine is again a master in describing the depressive character of humanity and of human fate. His protagonists are bigoted, avaricious, indifferent to all suffering, manipulative, and mainly nauseated with life that has no meaning. His loves are reduced to indifferently bestial sex, his friendships to temporary respites from boredom, his lusts tempered by apathy and distaste. His view of humanity is as sharp and focused as that of Camus or Sartre, but instead of attempting to see the saving graces of human character he only sees the one-way descent into the end of the night.Celine's reputation was tarnished by his later adherence to the Nazi philosophy and his increasingly rabid antisemitism. It is pretty clear that anybody with humanistic outlook should shun Celine as a person. Yet, one cannot deny him greatness as a writer.

Someone said this is a book for young people, and I think that is true. Celine's writing appeals to those who have little confidence, who are afraid of the world, afraid of failure. His protagonist models a way of dealing with failure and defeat. He doesn't scheme to overcome the scary forces arrayed against him. Instead, he simply walks ahead into the chaos with eyes and ears open. In opening to this imperfect world, he is able to transform tragedy into comedy.Through observation and writing, he proves to himself that he was greater than his circumstances all along, that he never had to be afraid after all. Celine takes up the garbage strewn about by a ridiculous, meaningless plot line and weaves gold out of it. Here is an example, a scene where Ferdinand acts decisively (a near unique occurrence), to leave his prostitute lover Molly in America and return to France:“'You’re already far away, Ferdinand. You’re doing exactly what you want, aren’t you? That’s the main thing. It’s the only thing that counts …'The train pulled in. I wasn’t so sure of my plans once I saw the engine. I kissed Molly with all the spirit I had left … I was sad for once, really sad, for everybody, for myself, for her, for everybody.Maybe that’s what we look for all our lives, the worst possible grief, to make us truly ourselves before we die."Similar gems appear on every page of the book. It's not for everyone, I admit. Celine's writing reminds me of sad country music. It inspires me with its sadness. If you're discouraged or disappointed with yourself, reading Celine can reassure you. "Well this apparently worthless man opened up to his worthless circumstances and made something beautiful with them. If he can, maybe I can. I don't have to win, just stay awake and accept whatever life gives me."

You have to read this book to appreciate it ... a curmudgeon who engages in hyperbole.... would have gone down as a great writer but he wrote anti Semitic tracts so the French made him a scapegoat after WWII.I laughed myself sick in some parts.

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